SEMILLA FANTASMA
Installation

Ayuntamiento de Madrid, 2023
LID, 2023

Intervention on archive material from the Botanical Garden of Madrid, (1) Ethnobotanical slides, (2) Fruits without name, (3) Newspapers intervened with fluorescent pigment

Ethnobotanical slides Nr.3, Slide reproduction, C-Print, variable dimensions

SEMILLA FANTASMA, Parte II
Installation

Ayuntamiento de Madrid, 2023
LID, 2023

The film explores three different beliefs that are part of non-Western knowledge. These systems of knowledge, which lie beyond modern science, are linked to unclassified botanical material from the colonial collection of the Madrid Botanical Garden. As a studio performance, the film rehearses actions against these representations.

Single-channel 16mm film, color, silent, 12’

ESTADOS GENERALES
Feature film, on production

FIDLab, Marseille, 2021

A colonial seed from the Botanical Garden in Madrid that returns to the place where it was originally collected, an afro-peruvian village in the south coast of Peru. Like a flare in the dark, the seed will lighten different worlds that remain in the shadows.

‘Semilla fantasma’ production still, 16mm transfer to digital video

INTERSPECIES ARCHITECTURE
Two channel video installation, 2021

17th Venice Architecture Biennale, 2021

‘Un lago de jade verde’ Centro Centro, Madrid 10.21 - 03.22

A journey in the forest near Taipei without a certain destination,
a nomadic speculation on relationships and processes that occur among species and dimensions beyond the human.

‘Interspecies Architecture’ at the 17th Venice Architecture Biennale

¿CÓMO CONTINUAR?
Collective exhibition, 2020

Bisagra in Lima

Faced with that sense of the end of the world and anger that accompanied our conversations, we began to write.

Collage, ‘...do so, then where is the place to go?’, 2020

L'ARCHITECTURE DU FILM
Essay, 2019

Published in Les saisons magazine Nr.2

Presented at Marian Goodman gallery, Paris

Cinéma et architecture sont entendus comme des processus de transfert desystèmes d’idées distincts vers des structures matérielles antagoniques. Ils supportent des structures instables et diffuses, modèles qui se déplacent selondes échelles du réel distinctes.

Reveu Les Saisons, Nr.2, ‘L’Architecture du film’, 2019

HABLAR PIEDRAS
Collective exhibition, 2019

Espositivo in Madrid

The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.

One channel video installation, ‘24 hours playlist’, 2019

MATERIAL SIN EDITAR
Film performance, 2019

Circulo de Bellas Artes
in Madrid Experimentales del Sur

Double-projection performance in super 8 with a live sound performance by Carlos Quebrada

Double-projection performance in super 8, , ‘Material sin editar’, 2019

MOVIMIENTO CONTINUO
Film, 2019

L’Alternativa, 26º
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin 2019
MUTA, Festival Internacional de Apropiación Audiovisual, Lima

Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history. 

Film still, ‘Movimiento Continuo’, 2019

A IS CID
Film, 2017

Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto

Produced with the support of
Ses Dotze Naus

Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú

The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.

Film still, ’A IS CID’, 2017

SET OUT 1
Film, 2016

Festival Internacional de Valdivia 23
Rencontres Internationales Paris/Berlin
La Verdi, Buenos Aires
BIAU XI, Asunción

When does the fiction of a film start?
What happens when the film is over?
Where do characters go?

Film still, SET OUT 1, 2017

HCH
Film installation, 2019

A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.

Film still, HCH, 2019

PREVI / RUMIQOLQA
Two channel film installation, 2019

A non-linear journey dislocated in time.

Film still, PREVI/RUMIQOLQA, 2019