ESTADOS GENERALES
Feature film, on production
FIDLab, Marseille, 2021
A colonial seed from the Botanical Garden in Madrid that returns to the place where it was originally collected, an afro-peruvian village in the south coast of Peru. Like a flare in the dark, the seed will lighten different worlds that remain in the shadows.
‘Estados generales’ production still, 16mm transfer to digital video
SEMILLA FANTASMA
In one of the deposits of the Botanical Garden of Madrid are kept samples of plant species that have not been studied or classified, forming a blind spot within the archive.
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‘Semilla fantasma’ production still, 16mm transfer to digital video
SEMILLA FANTASMATwo channel video installation, on production
In one of the deposits of the Botanical Garden of Madrid are kept samples of plant species that have not been studied or classified, forming a blind spot within the archive.
INTERSPECIES ARCHITECTURE
Two channel video installation, 2021
17th Venice Architecture Biennale, 2021
‘Un lago de jade verde’ Centro Centro, Madrid 10.21 - 03.22
A journey in the forest near Taipei without a certain destination,
a nomadic speculation on relationships and processes that occur among species and dimensions beyond the human.
‘Interspecies Architecture’ at the 17th Venice Architecture Biennale
¿CÓMO CONTINUAR?
Collective exhibition, 2020
Bisagra in Lima
Bisagra in Lima
Faced with that sense of the end of the world and anger that accompanied our conversations, we began to write.
Collage, ‘...do so, then where is the place to go?’, 2020
L'ARCHITECTURE DU FILM
Essay, 2019
Published in Les saisons magazine Nr.2
Presented at Marian Goodman gallery, Paris
Cinéma et architecture sont entendus comme des processus de transfert desystèmes d’idées distincts vers des structures matérielles antagoniques. Ils supportent des structures instables et diffuses, modèles qui se déplacent selondes échelles du réel distinctes.
HABLAR PIEDRAS
Collective exhibition, 2019
Espositivo in Madrid
The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.
HABLAR PIEDRAS
Collective exhibition, 2019
Espositivo in Madrid
The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.
HABLAR PIEDRAS
Collective exhibition, 2019
Espositivo in Madrid
Collective exhibition, 2019
Espositivo in Madrid
The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.
One channel video installation, ‘24 hours playlist’, 2019
MATERIAL SIN EDITAR
Film performance, 2019
Circulo de Bellas Artes
in Madrid Experimentales del Sur
Double-projection performance in super 8 with a live sound performance by Carlos Quebrada
MATERIAL SIN EDITAR
Film performance, 2019
Circulo de Bellas Artes
in Madrid Experimentales del Sur
Double-projection performance in super 8 with a live sound performance by Carlos Quebrada
Double-projection performance in super 8, , ‘Material sin editar’, 2019
MOVIMIENTO CONTINUO
Film, 2019
L’Alternativa, 26º
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin 2019
MUTA, Festival Internacional de Apropiación Audiovisual, Lima
Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.
MOVIMIENTO CONTINUO
Film, 2019
L’Alternativa, 26º
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin 2019
MUTA, Festival Internacional de Apropiación Audiovisual, Lima
Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.
Film, 2019
L’Alternativa, 26º
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin 2019
MUTA, Festival Internacional de Apropiación Audiovisual, Lima
Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.
A IS CID
Film, 2017
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Produced with the support of
Ses Dotze Naus
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.
A IS CID
Film, 2017
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Produced with the support of
Ses Dotze Naus
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.
A IS CID
Film, 2017
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Produced with the support of
Ses Dotze Naus
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
Film, 2017
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Produced with the support of
Ses Dotze Naus
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.
When does the fiction of a film start?
What happens when the film is over?
Where do characters go?
When does the fiction of a film start?
What happens when the film is over?
Where do characters go?
When does the fiction of a film start?
What happens when the film is over?
Where do characters go?
What happens when the film is over?
Where do characters go?
HCHFilm installation, 2019
A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.
HCHFilm installation, 2019
A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.
HCH
Film installation, 2019
A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.
PREVI / RUMIQOLQA
Two channel film installation, 2019
A non-linear journey dislocated in time.
PREVI / RUMIQOLQA
Two channel film installation, 2019
A non-linear journey dislocated in time.
PREVI / RUMIQOLQA
Two channel film installation, 2019
Two channel film installation, 2019
A non-linear journey dislocated in time.
