SEMILLA FANTASMA
Installation, Prints on paper with variable dimensions


Intervention on archive material from the Botanical Garden of Madrid,  (1) Ethnobotanical slides, (2) Fruits without name, (3) Newspapers intervened with fluorescent pigment





 Ethnobotanical slides Nr.3, Slide reproduction, C-Print, variable dimensions




16mm single-channel film installation silent, 11 min, loop


S59 explores the representation of knowledge systems beyond Western epistemology. For this project, three types of beliefs, described in colonial texts, including the manuscript “ The extirpation of idolatry in Peru” by the Jesuit Pablo Joseph de Arriaga (1621), have been investigated.





Single-channel 16mm film, color, silent, 12’





ESTADOS GENERALESFIDLab, Marseille, 2021


A colonial seed from the Botanical Garden in Madrid that returns to the place where it was originally collected, an afro-peruvian village in the south coast of Peru. Like a flare in the dark, the seed will lighten different worlds that remain in the shadows.





‘ESTADOS GENERALES’ production still, 16mm transfer to digital video




INTERSPECIES ARCHITECTURE
Two-channel video installation with sound, 13 min, loop
17th Venice Architecture Biennale, 2021

A journey in the forest near Taipei without a certain destination,
a nomadic speculation on relationships and processes that occur among species and dimensions beyond the human.



‘Interspecies Architecture’ at the 17th Venice Architecture Biennale

 

¿CÓMO CONTINUAR?
Collective exhibition, 2020
Bisagra in Lima

Faced with that sense of the end of the world and anger that accompanied our conversations, we began to write. 


Collage, ‘...do so, then where is the place to go?’, 2020




L'ARCHITECTURE DU FILM
Essay, 2019
Published in Les saisons magazine Nr.2

Presented at Marian Goodman gallery, Paris


Cinéma et architecture sont entendus comme des processus de transfert desystèmes d’idées distincts vers des structures matérielles antagoniques. Ils supportent des structures instables et diffuses, modèles qui se déplacent selondes échelles du réel distinctes.




Reveu Les Saisons, Nr.2, ‘L’Architecture du film’, 2019




HABLAR PIEDRAS
Collective exhibition, 2019
Espositivo in Madrid

The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.





One channel video installation, ‘24 hours playlist’, 2019




MATERIAL SIN EDITAR
Film performance, 2019
Circulo de Bellas Artes
in Madrid Experimentales del Sur


Double-projection performance in super 8 with a live sound performance by Carlos Quebrada


Double-projection performance in super 8, , ‘Material sin editar’,  2019




MOVIMIENTO CONTINUO
Single-channel video with sound installation, 15 min, loop. 2019
L’Alternativa, 26º
12th Strangloscope  Mostra Internacional de Áudio, Vídeo, Filme, Performance
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin 2019
MUTA, Festival Internacional de Apropiación Audiovisual, Lima

Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.






Film still, ‘Movimiento Continuo’, 2019




A IS CID
Single-channel film installation with sound, 9 min, loop, 2017
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Produced with the support of
Ses Dotze Naus
Ganador del Concurso de Obras  Experimentales, DAFO Ministerio de Cultura, Perú

The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.



Film still, ’A IS CID’, 2017







When does the fiction of a film start?
What happens when the film is over?
Where do characters go? 



Film still, SET OUT 1, 2017




HCH
One channel film installation with sound, 2min, loop, 2019

A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.



Film still, HCH, 2019




PREVI / RUMIQOLQA
Two-channel film installation with sound, 4min, loop, 2019

A non-linear journey dislocated in time.



Film still, PREVI/RUMIQOLQA, 2019