Intervention on archive material from the Botanical Garden of Madrid, (1) Ethnobotanical slides, (2) Fruits without name, (3) Newspapers intervened with fluorescent pigment
S59 explores the representation of knowledge systems beyond Western epistemology. For this project, three types of beliefs, described in colonial texts, including the manuscript “ The extirpation of idolatry in Peru” by the Jesuit Pablo Joseph de Arriaga (1621), have been investigated. As studio scenes, the film rehearses actions on these representations.
ESTADOS GENERALES
Single channel, 16mm film transferred to digital video, 84 min, 2024
Since the colonial system, different polymorphous regimes of power extend and feed each other: colonialism, European modernity, anthropocentrism and Western technoscience. The film is conceived as a counter-narrative that explores the spectral capacity of the archive, offering a critical perspective to examine the continuity of contemporary neocolonial structures.
Single channel, 16mm film transferred to digital video, 84 min, 2024
Since the colonial system, different polymorphous regimes of power extend and feed each other: colonialism, European modernity, anthropocentrism and Western technoscience. The film is conceived as a counter-narrative that explores the spectral capacity of the archive, offering a critical perspective to examine the continuity of contemporary neocolonial structures.
INTERSPECIES ARCHITECTURE
Two channel video installation, 2021
Two channel video installation, 2021
A journey in the forest near Taipei without a certain destination, a nomadic speculation on relationships and processes that occur among species and dimensions beyond the human.
17th Venice Architecture Biennale, Taiwan Pavillion, 2021
¿CÓMO CONTINUAR?
Collective exhibition and residency, 2020
Faced with that sense of the end of the world and anger that accompanied our conversations, we began to write.
Collective exhibition and residency, 2020
Faced with that sense of the end of the world and anger that accompanied our conversations, we began to write.
Bisagra, Lima, 2020
‘Interspecies Architecture’ at the 17th Venice Architecture Biennale, 2021
L'ARCHITECTURE DU FILM
Essay, 2019
Cinéma et architecture sont entendus comme des processus de transfert desystèmes d’idées distincts vers des structures matérielles antagoniques. Ils supportent des structures instables et diffuses, modèles qui se déplacent selondes échelles du réel distinctes.
Essay, 2019
Cinéma et architecture sont entendus comme des processus de transfert desystèmes d’idées distincts vers des structures matérielles antagoniques. Ils supportent des structures instables et diffuses, modèles qui se déplacent selondes échelles du réel distinctes.
Marian Goodman libraire, Paris
HABLAR PIEDRAS
Collective exhibition, 2019
The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.
Collective exhibition, 2019
The interventions will be cause-and-effect of the development of the exhibition, experimenting with methodologies, ways of action and participation, re-ordering in space each of the manifestations that deform this project.
Espositivo, Madrid
MATERIAL SIN EDITAR
Film performance, 2019
Double-projection performance in super 8 with a live sound performance by Carlos Quebrada
Film performance, 2019
Double-projection performance in super 8 with a live sound performance by Carlos Quebrada
Circulo de Bellas Artes, Experimentales del Sur
MOVIMIENTO CONTINUO
Single-channel video with sound installation, 15 min, loop, 2019
Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.
Single-channel video with sound installation, 15 min, loop, 2019
Taking as a case study, the history of the PREVI, an experimental housing project in Lima, by using different strategies that transform the project's archive material, the film explores different sequences, procedures and formal configurations to displace a fixed point of view on history.
L’Alternativa, 26º, CCCB, Barcelona
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance, Florianopolis
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin
MUTA, Festival Internacional de Apropiación Audiovisual, Lima
12th Strangloscope Mostra Internacional de Áudio, Vídeo, Filme, Performance, Florianopolis
From the South, Thessaloniki
Rencontres Internationales Paris/Berlin
MUTA, Festival Internacional de Apropiación Audiovisual, Lima
A IS CID
Single-channel film installation with sound, 9 min, loop, 2017
The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.
Single-channel film installation with sound, 9 min, loop, 2017
The architecture of the Instant City linked psychedelic ideas and altered states with the drop out movement. The film superimposes different time scales to speculate on other critical ways of transcribing history into a present in ways without utopias.
Nomadica
Unforseen Festival
ARCO Programa VIP Nave Oporto
Ses Dotze Naus, Art residency program, Ibiza
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
Unforseen Festival
ARCO Programa VIP Nave Oporto
Ses Dotze Naus, Art residency program, Ibiza
Ganador del Concurso de Obras Experimentales, DAFO Ministerio de Cultura, Perú
SET OUT 1
Single-channel film installation with sound, 3 min, loop, 2016
When does the fiction of a film start?
What happens when the film is over?
Where do characters go?
Festival Internacional de Valdivia 23, Valdivia
Rencontres Internationales Paris/Berlin
La Verdi, Buenos Aires
BIAU XI, Asunción
Single-channel film installation with sound, 3 min, loop, 2016
When does the fiction of a film start?
What happens when the film is over?
Where do characters go?
Festival Internacional de Valdivia 23, Valdivia
Rencontres Internationales Paris/Berlin
La Verdi, Buenos Aires
BIAU XI, Asunción
HCH
One channel film installation with sound, 2min, loop, 2019
A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.
One channel film installation with sound, 2min, loop, 2019
A visit to an archaeological site in the process of extinction, in search of a general view of its architecture.
PREVI / RUMIQOLQA
Two-channel film installation with sound, 4min, loop, 2019
A non-linear journey dislocated in time.
On one side the ruins of Rumiqolqa in Cuzco, and abandoned Inca quarrying and stonecutting site, where some of the architecture was constructed.
On the other side PREVI, an unfinished Experimental Housing Project in Lima, between 1967 and 1978, interrupted by a military coup.
Two-channel film installation with sound, 4min, loop, 2019
A non-linear journey dislocated in time.
On one side the ruins of Rumiqolqa in Cuzco, and abandoned Inca quarrying and stonecutting site, where some of the architecture was constructed.
On the other side PREVI, an unfinished Experimental Housing Project in Lima, between 1967 and 1978, interrupted by a military coup.